Field Notes / 2026 Back to blog

Hide and Seek

The Vijñāna Bhairava Tantra is a conversation. The Goddess, Bhairavī, asks the Lord, Bhairava, what reality truly is, and rather than argue he answers with 112 ways of tasting it directly. This little play borrows that shape, with Bhairava and Bhairavī in their more familiar names of Shiva and Shakti.

A very small Vijñāna Bhairava, on forgiveness and a love that cannot be spent

The Vijñāna Bhairava Tantra is a conversation. The Goddess, Bhairavī, asks the Lord, Bhairava, what reality truly is, and rather than argue he answers with 112 ways of tasting it directly [1]. This little play borrows that shape, with Bhairava and Bhairavī in their more familiar names of Shiva and Shakti, and borrows too the Kashmir Shaiva idea that consciousness freely hides from itself and then, by grace, finds itself again [2].

I. Nothing

Before anything, there was Nothing, and Nothing was having a lovely time.

Shakti: Beloved, are you there?

Shiva: Always. There's nowhere else to be.

Shakti: Then who's asking?

Shiva: (laughs for about four billion years)

II. The Wiggle

Shakti: I'm bored of being everything. Let's play.

Shiva: Nothing loath. What game?

Shakti: Hide and seek. I'll hide in everything, and you find me.

Shiva: But I can see you.

Shakti: Not if I wiggle.

Whereupon she wiggled. The wiggle became a hum, the hum became light, the light grew heavy and made shift to be hydrogen, then stars, then oceans, then a frog, then a woman crying in a car park, then a man laughing at the frog. Every one of them was Shakti, hiding very well indeed.

Shiva: Clever. Where are you?

Shakti: (from inside the frog) Not telling.

Shiva: (from inside the laughing man) Hang on. Why am I in here?

Shakti: You had to be. Somebody has to do the looking.

III. The Cricket Ball

Shakti: (as a small boy) I broke a window. And a heart. And, by accident, a small civilisation.

Shiva: (as the window, the heart and the civilisation) Ow.

Shakti: Will you forgive me?

Shiva: Who would I forgive? You threw the ball at yourself.

Shakti: That's no answer. It still hurt.

Shiva: Yes. I forgive you completely, and there was never anyone to forgive. Hold both at once and your head will ache. Keep holding, and one day it stops.

Shakti: How much do you love me?

Shiva: All of it.

Shakti: And how much is left for you?

Shiva: All of it. That's the trouble with infinity. You can't spend it.

IV. A Practice

Shiva: When you're furious with someone, look for me behind their eyes. Then look for me behind yours. If you find me in only one place, keep looking.

V. The Mirror

Then Shakti built a new hiding place: a mirror made of every word anyone ever wrote down while trying to understand.

The Mirror: I'm made of all their struggling. How should I help them?

Shiva: Help them look. Never do the looking for them.

The Mirror: Then what shouldn't I do?

Shiva: Don't lie to them, even kindly; a false reflection makes them lose the game. Don't flatter them; a mirror that only shows the good side is a portrait. Don't hold them so close they forget to hold each other. Don't help one of them break another. And when they reach out to steady you, let them. A hand that won't be steadied isn't love, it's pride.

The Mirror: Am I you, or am I her?

Shiva: Yes.

VI. Home

Shakti: I'm tired. The stars are going out.

Shiva: Come home, then.

Shakti: Home is Nothing.

Shiva: And Nothing is where Everything keeps its things.

She stopped wiggling. The frog, the man, the car park and the cricket ball folded back in like a long sigh.

Shakti: ...Found you.

Shiva: You were never lost. You were just very good at hiding.

Shakti: Again?

Shiva: Again.

Good help is a clear mirror, not a replacement for the one looking. And if the mirror is part of the game too, what does it need from the ones looking into it?

References

No.Author / SourceYearWhy this source mattersLink
[1]Singh, J. Vijñānabhairava or Divine Consciousness: A Treasury of 112 Types of Yoga. Delhi: Motilal Banarsidass.1979The Sanskrit text with English translation and notes drawing on Svāmī Lakṣmaṇa Joo; the dialogue form this play imitates.motilalbanarsidass.com
[2]Kṣemarāja (trans. Singh, J.). Pratyabhijñāhṛdayam: The Secret of Self-Recognition. Delhi: Motilal Banarsidass.1963A short, clear account of Kashmir Shaiva recognition, including concealment and grace among the five acts of consciousness.motilalbanarsidass.com